2019. with Valentina Ljubic Tobisch. Conservation treatment of two leather-covered boxes, associated with the silver vessels, made by the Nürnberg goldsmith Peter Kuster, c. 1550. IIC Austria 40th Anniversary Symposium, Vienna, 9 September 2019.
& 1st Heritage Science Meeting Austria, 10 September 2019. pdf: 2019_boxes

2018. Luba Nurse & Renée Riedler. Reopening of the Worldmuseum Vienna, Austria: Expanding the Role of Mounts in the Preservation and Interpretation of Artefacts. 6th International Mountmaking Forum, Natural History Museum, London, UK, 25-27 September 2018. pdf

2017. with Renée Riedler. Reopening of the Weltmuseum Wien: Time between the past and the future. ICOM CC Objects from Indigenous and World Cultures: Conservation Newsletter July 2017. Newsletter ICOM-CC_WG July 2017 final.

2015. Penrhys, M., Mackay, L., Schultz, R., Dovgan Nurse, L., Becevic, A., and D. D’Arcangelo. Building capacity in textile conservation in South East Europe: lessons from practice. ICON UK Textile Group Spring Forum ‘Learning Curve: Education, Experience and Reflection’ 13 April 2015 London. abstract: Building Capacity workshop.

2015. Review of ‘Clothes Tell Stories: Working with Costume in Museums’. Online Resource Hosted by the International Committee for Costume, International Council of Museums (ICOM). Textile History Vol 46 (1), 124-126.

2014. L. Dovgan Nurse, V. Ljubic-Tobisch, C. Clouter, T. Winkler, M. van Bommel, A. Selviasiuk, M. de Keijzer, R. Hofmann-de Keijzer. Dye Analysis Contributes to the Interpretation of the Object’s History: Investigating Upholstery of the 1841 Horse-Drawn Railway Carriage ‘Hannibal’ at the Technisches Museum Wien. Dyes in History and Archaeology 33, Centre for Textile Conservation and Technical Art History, University of Glasgow, 29-30 October 2014. relevant post here.

2014. Dovgan Nurse, L., Eastop, D. and M.M. Brooks. Authenticity in the revival of orthodox ecclesiastical embroidery in post-Soviet Russia. In: R. Gordon, E. Hermens and F. Lennard (eds) Authenticity and Replication: The ‘Real Thing’ in Art and Conservation. London: Archetype, 74-85.

2012. A support mount made from Nomex card for storage and three-dimensional display of an incomplete and fragile 19th century bonnet. Journal of the American Institute for Conservation , Vol. 51, N. 1, p. 77-84.

2011. Nurse, L.D., Nesbitt, M. and Eastop, D. 2011. Celmisia Cloak in ‘Ngā Aho: Threads that Join’. In: A. Tamarapa (ed.) Kakahu Maori Cloaks. Wellington, New Zealand: Te Papa Press, 37-40.

2009. Dovgan Nurse, L., Eastop, D. and M. Nesbitt. Modified leaves for garment manufacture: a 19th century Maori cloak made from the leaves of the mountain daisy Celmisia (tikumu) Dovgan Nurse Eastop Nesbitt poster_Maori cloak September 2009 Book of Abstracts, Combined (Australia and New Zealand) Conference of The Textile Institute 2009, University of Otago, New Zealand.

2008. Conservation of a rare Maori cloak made from the leaves of Celmisia and fibres of  Phormium tenax: Maori taonga in the context of the Economic Botany Collection, Royal Botanic Gardens, Kew. Unpublished MA dissertation, Textile Conservation Centre, University of Southampton, 214pp.

2006. Textiles not Made by Hands: The Agency of the Maker of Ecclesiastical Embroidery in Russia from 1990 to the Present. Unpublished MA dissertation, Textile Conservation Centre, University of Southampton.

1995. Ouspensky P.  The Fourth Way, Russian translation by Luba Dovgan. St. Petersburg: Komplekt.


Note: Dovgan – russification of Dovhun (origin – current Slovakia).

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